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Terrific captures Joe, each one with unique characteristics and focus.
love this stuff. Photos and writing have been fabulous throughout. A very fine writer and of course superb photographer. What a package sir.
I love to hear all the trials and tribulations, The stories behind each shot are so inspiring… and the shots that got away, Those are the most inspiring… that we, too, have those moments and work to better next time. (Love that last “frame”)
I saw on IG story that Getty and Canon rigged lots of robotic cameras throughout the venues, like under the pool and at the finish line on the track…I wonder if that’s exclusively for Getty or other agencies and other camera makes can also do that, on a different scale maybe. I understand that AP switched to Sony do or can they do that at all you know? Great blog posts and thanks for sharing.
What a beautiful coverage of the Olympics, Joe. Happy that I see “Storyteller” next your signature. You definitely are. Thanks for bringing us into the Olympics experience through your unique shots.
The big agencies like Getty have the clout and the dough, because they service so many outlets and viewers, to get good positions, like FOP or infield and rig cameras, robotic and otherwise, in a lot of the venues. That type of operation is beyond the scope of the individual shooter, generally speaking.
I love these Tokoyo Olympics action shots. The rain adds an element of intensity.
Bad weather is a pain to shoot in, but the pictures, as you say, often ramp up in terms of intensity. Best, Joe