I shoot a lot in front of live audiences, sometimes sizable ones. The places where I do this, let’s face it, are hardly inspirational. They tend to be gray, or beige, or black. The walls are blank. They recede by design. Hence, onstage, when I look out at this bland space, I will, at least occasionally, think of taking a ride into the valley of the gels, as friend and peerless shooter Greg Heisler used to describe it. In these blank rooms, color is often the first refuge I seek.
It was such a day last week in London, at a lighting seminar created and staged by Nikon School UKĀ and Neil Freeman, a talented shooter who runs the wonderful educational programs with a great team in the UK for Nikon. We had help from the stalwart crew at Lastolite by ManfrottoĀ who stepped up and brought tons of kit to play with.
I had MMA fighter Alfie Davis, who’s on a winning streak, and competing next in Dubai. He’s a great physical presence, so a rim-light type of an approach worked. Put red gels on two SB-5000 units in the back of the room, controlling them with radio and winging them right at Alfie. The overhead light is the Speedlight 2 softbox, with a grid, but it really just lights him a little and gives that highlight in his hair. The main deal is a blue gelled flash I have banging into a silver tri-grip reflector that he is actually standing on. The whole thing was an impromptu wing and a prayer in terms of a lighting solution, and our enthusiastic crowd helped out by standing and cheering Alfie in the background. Nothing like a little audience participation!
It was a very different approach for Alfie out on the street. One Speedlight through an Ezybox hotshoe soft box, and done. Less glitz, more character.
More tk….
Joe, If you didn’t explain the situation, I would think this was taken in the ring. The power of great light.
They say, never meet your heroes. Well, if Iād followed that bit of advice I would never have witnessed a moment of magic. Alfie Davis takes to the stage and walks to the front edge back towards audience, Joe sends 2 runners out to the far corners of the theatre to hand hold a couple of small Speedlightās with red gels. Joe then pops another Speedlight above and one below Alfie centre stage. āAbracadabra!ā and we have the shot youāre all looking at above. Of course Abracadabra is short for 30+ yearās experience grafting in the field. Whoever said never meet your heroās obviously chose the wrong heroes.
I want to take this time to wish you all a Happy Holiday.
It was a fun day, Chris! Many thanks for coming, and hope our paths cross again soon….all the best for the end of the year….
Great work as always, Joe! I can’t imagine the stress of shooting in front of a crowd
Great work, Joe
the light is beautiful
Lovely work. thanks for sharing details of the shoot. Really helpful!
Great post. Love reading about the lighting setups.