All summer, through the Olympics, the question has been drumming. “How’s the Z 9?” What’s it like shooting the Z 9?”
“Have you shot the Z 9?”
Now, today, I can say YES!
The new Nikon Z 9 launches today, coming at us like a rocket ship race car out of the sun. (See above.) It’s been a privilege to be a part of this launch campaign, and shoot this camera. I love my Z 6 and Z 7’s, but the Z 9, as they say, is like going to the big city. Lights, color, energy.
And speed, speed, speed. Check out the real-time autofocus tracking and speed of the camera in our BTS video:
Mirrorless cameras were a revelation to me. I was hesitant about them at first, as many photogs were. But I adapted pretty easily and was immediately seduced by the facility and ease of the technology, and the advantages in the field that tech created. Small form factor, big performance.
Then I spent three solid weeks shooting D6 cameras at the Olympics. I was reminded of the confident feeling of having a “built like a tank” flagship camera in my hands and to my eye. Returning to my normal run of work with the Z 6 and 7, I found myself wishing for….the Z 9.
I’ll be posting lots of notes and anecdotes from the brief time I had the camera in my hands. In short, though, this camera is the camera I wanted, even without completely knowing all that might entail. The creative possibilities with this machine are high, wide and deep. The ergonomics are once again perfect for my muscle memory. The speed is astonishing. (Hello new hard drives!) The files rock with color. The build lives perfectly in the middle ground of DSLR toughness and innovative mirrorless technology.
And the autofocus is damn near perfect. As in, it finds the eyes. Even when the subject isn’t looking directly at you.
I was listening the other day to Nikon Ambassador Rod Mar, a peerless sports photographer based in Seattle. He shot the camera, magnificently. I had to chuckle a bit, as he accurately observed that gone are the days where we could blame the camera for a breakdown in our coverage. This thing’s so good, and so smart, if we goof and blow it, it’s likely on us. No more rabbit holes to run down. This thing’s got game. You gotta bring yours.
More specs to come, of course, and the camera stats will be all over the internet. I prefer, as always, to not so much dwell on the numbers and the nuts and the bolts. What I can say, after many years of professional shooting, quite clearly, is that this camera actually, really, completely does it all. From weddings and studio and fashion to the playing pitch. From hyper-accurate AF to sheer astounding speed. From color punch and the richness of the files to a build that’s tough as nails. From excellence of the glass to the nimble and familiar menus. Much more to discover. More more to explore.
In upcoming blogs, I’ll talk more about our talent, our magnificent crew and the the blazing sun of the desert. For now, though, just thrilled to be a part of this launch. Thanks to our crew and the genius of race car designer and driver Ed Fenn, and the physical brilliance of Will Credell.
And to those Nikon engineers…..all of us owe them a beer.
More tk…..
Rafael says
How does the Z9 handle High Speed Sync with the fact that there is no more mechanical shutter?
Joe McNally says
We can still go to 8000th
Gordon Haywood says
When I’m shooting Moto GP for example a regular situation I find is up to 10 bikes closely packed.
With the D4s or D850 for example I can pick any of those bikes/riders and aim, focus, shoot, switch riders and repeat, with great accuracy and repeatability.
Watching the Z9 AF tracking demonstration videos, it looks great – class leading in fact, but in the above scenario I wonder if it might be too smart?
All the videos I’ve seen to date feature a single target, or easily separable targets.
Has you come across a similar scenario Joe- more than one target in very close proximity and needing to select and or change selection of the target rapidly.
Is AF tracking the best tool for this scenario I wonder?
Joe McNally says
Hey Gordon…good questions. I have not gaggled a group of fast moving objects, like cyclists, in my experience. I only had a few days of active shooting with it and then gave the camera back. (I have two on order at Adorama, so I’m very confident about this camera being an excellent tool.) But, the AF here in Z 9 is a maturation of AF tech over time. It beats D6, even. I have always been leery of my D850 for action based activity. To me, it’s always been better suited to studio. For action in the field, I went with my D5 cameras. Now, I think I have a tool where the different types of camera strengths I look for are unified in one body. I have much more to go with Z 9 in terms of discovery, but the AF is beyond anything I’ve used. It’s got various recognition modes, for faces, vehicles, animals, etc. So, I think if you are confronted with Peloton style activity, I feel you will easily find the best and smartest mode for the camera to be in. Cool thing….many high level bike riders use sunglasses, and so did my subject/athlete. The camera still found eyes, or what it deduced was the eyes. Hope this helpful, but I don’t want to go further into specific situations as I have not had that personal experience. All the Best, Joe
Gordon Haywood says
Hey Joe thanks for the excellent and considered reply, it is appreciated. Moto GP is motorcycle racing, a step up in speed and action from cycling – need to be able to react quickly! I have a Z9 on pre-order from NPS Australia – looking forward to seeing what it can do. Thanks again Gordon
Joe McNally says
Ok, cool, stay in touch and let me know what you think when you start shooting it. All the Best, and thanks back to you….joe
Shiekh says
Thanks for the valuable content.
What about the bokeh effects? Have you checked?