Finishing up a week long lighting class. I’m only teaching one more week of lighting for the rest of this year, in St. Lucia. One of the biggest reasons I return to Santa Fe is re-connecting with the model community down here, many of whom have become my dear friends over the years. Deidre, who I once described as a “one woman Cirque du Soleil,” and I have worked together for about nine years. I’m writing a story in my new book called “Working with D.” It’s really about building trust, and the collaboration of imagination. So, when I ask her if she has any crazy fashion duds with her (she always does) and would she mind climbing up on an industrial strength boiler in an abandoned electrical plant, she simply says “Yes!”
Lighting here is simple stuff. Almost all the gear was out in the field with the lighting teams, so I built a soft box out of a big umbrella and a Lastolite 6×6 diffuser. Fill is two SB-900 units banged off a silver reflector on the ground. She did the hard part.
Earlier in the week I showed the class a bit about putting lights far away, and up close. An Elinchrom Ranger is out in the parking lot, and that in turn is driving two units up front, a deep Octa, and an SB-900 in a ring flash. The light outside is gelled warm, and we just played with the power on the inside lights. I keep changing the ratio virtually every frame, just to show the class how small, incremental power shifts, along with juggling shutter speed and f-stops can have powerful effects on the feel of the photo. Almost never shoot more than one frame of any combo, so the dozen frames I shoot end up being a bit of a mess, but Yvette saved the day here with a beautiful expression.